We accept exhibition applications for solo and group shows on an ongoing basis for both venues, Crowsnest Pass Public Art Gallery in Frank, and for Stone's Throw Cafe in Blairmore . Please see application form and guidelines below for reference.
| SOLO/GROUP EXHIBITION APPLICATION FORM |
| SOLO/GROUP EXHIBITION SUBMISSION PROCEEDURE AND GUIDELINES |
SOUNDSCAPES - Annual, juried Summer Show - Call For Submissions
Submission Deadline: May 16, 2018
SOUNDSCAPES
So much of what we enjoy in our environment is based on the sounds we hear – the cry of birds, the rush of water, the rustle of leaves in the wind, the crackle of thunder, the patter of rain, the laughter of children playing at the park, the sound of the train as it makes its way through the mountain passes, a dog barking in the distance, people’s voices at a café. Together we create a symphony of sound, or soundscape, that is unique and distinctive to every environment. The term “soundscape” was first noted by Michael Southworth in an article in 1969 titled “The Sonic Environment of Cities” and fleshed out eight years later by Canadian composer and naturalist R. Murray Schafer in his seminal work, “The Tuning of the World.” Archibald Lampman, an early Canadian Confederate Poet, wrote the poem, Voices of the Earth, that describes the “music of the spheres”, an ancient philosophical concept that regards proportions in the movements of celestial bodies – the sun, moon, and planets, as a form of musica – the medieval Latin name for music. This music is not audible, but simply a mathematical concept. He goes on to describe the sounds of nature, man, primordial energies, the contrast between the physical and metaphysical/spiritual harmonies, which could be represented visually through either realistic or abstract patterns and rhythms. The dance of life is one of movement, forward progression with crescendos and diminuendos, that we are inexplicably a part of, that form and define who we are, whether it is silent or audible. I invite you to consider how you have been impacted by the soundscapes in your life and the greater symphony that you are a part of, and share your interpretation of this theme in our show for this summer.
http://www.poemhunter.com/poem/voices-of-earth/
We have not heard the music of the spheres,
The song of star to star, but there are sounds
More deep than human joy and human tears,
That Nature uses in her common rounds;
The fall of streams, the cry of winds that strain
The oak, the roaring of the sea's surge, might
Of thunder breaking afar off, or rain
That falls by minutes in the summer night.
These are the voices of earth's secret soul,
Uttering the mystery from which she came.
To him who hears them grief beyond control,
Or joy inscrutable without a name,
Wakes in his heart thoughts bedded there, impearled,
Before the birth and making of the world.
Curatorial by Sherry Chanin
Art Submission
Your submission MUST contain: A Maximum four (4) good images of the proposed work (all images must be labeled), list of works, artist statement, biography and artist CV. The artist statement is essential in the jurying of the work for this exhibition, as it will be referred to by the jurors as they review your submission. The artist statement should relate your work to the theme.
IMPORTANT: Please review general GUIDELINES FOR SUBMISSIONS BELOW.
Submission deadline is May 16. Late entries will not be accepted.
Work must be current in any medium, never shown in this gallery. Original artworks only – no reproductions of original art such as giclee prints or press-prints. Artists to be included in this exhibition will be notified by May 31.
Exhibition runs July 14 to August 26, 2018 with the opening reception scheduled for Saturday, July 14th, 1-3pm in the Crowsnest Pass Public Art Gallery. Questions may be directed to Krisztina 403-562-2218 or cnpaaa@shaw.ca
GENERAL GUIDELINES FOR SUBMITTING ARTWORKS
1. Four pieces of work per artist maximum can be submitted. (All mediums accepted for exhibition.) At time of submission, please submit photographs, or digital images only. Make sure images are labeled. Do not submit actual works.
2. Submissions must be accompanied by an inventory list that includes titles, medium, size, and retail price (value of the work if not for sale).
3. Please provide an artist’s statement for each work (relating your work to the theme).
4. Artist Submissions must be accompanied by current bio and/or CV.
5. You must include ALL of the above with your images. All written work must be submitted as white 8 1/2” x 11” sheets of paper. Each topic on a separate sheet of paper ie: list of works, artist’s statement, biography and CV.
6. Please ensure that your name and contact information is on each page of your submission application.
7. If you submit actual photographs of the works, please include a stamped self-addressed envelope if you wish your images returned.
8. Your submission can be hand delivered to the Gallery, mailed to Box 1469, Blairmore, T0K 0E0 or emailed to cnpaaa@shaw.ca.
8. Submissions are juried and artists will be notified of the results, and will be advised of work delivery as soon as possible.
Questions can be directed to 403-562-2218 or email: cnpaaa@shaw.ca
So much of what we enjoy in our environment is based on the sounds we hear – the cry of birds, the rush of water, the rustle of leaves in the wind, the crackle of thunder, the patter of rain, the laughter of children playing at the park, the sound of the train as it makes its way through the mountain passes, a dog barking in the distance, people’s voices at a café. Together we create a symphony of sound, or soundscape, that is unique and distinctive to every environment. The term “soundscape” was first noted by Michael Southworth in an article in 1969 titled “The Sonic Environment of Cities” and fleshed out eight years later by Canadian composer and naturalist R. Murray Schafer in his seminal work, “The Tuning of the World.” Archibald Lampman, an early Canadian Confederate Poet, wrote the poem, Voices of the Earth, that describes the “music of the spheres”, an ancient philosophical concept that regards proportions in the movements of celestial bodies – the sun, moon, and planets, as a form of musica – the medieval Latin name for music. This music is not audible, but simply a mathematical concept. He goes on to describe the sounds of nature, man, primordial energies, the contrast between the physical and metaphysical/spiritual harmonies, which could be represented visually through either realistic or abstract patterns and rhythms. The dance of life is one of movement, forward progression with crescendos and diminuendos, that we are inexplicably a part of, that form and define who we are, whether it is silent or audible. I invite you to consider how you have been impacted by the soundscapes in your life and the greater symphony that you are a part of, and share your interpretation of this theme in our show for this summer.
http://www.poemhunter.com/poem/voices-of-earth/
We have not heard the music of the spheres,
The song of star to star, but there are sounds
More deep than human joy and human tears,
That Nature uses in her common rounds;
The fall of streams, the cry of winds that strain
The oak, the roaring of the sea's surge, might
Of thunder breaking afar off, or rain
That falls by minutes in the summer night.
These are the voices of earth's secret soul,
Uttering the mystery from which she came.
To him who hears them grief beyond control,
Or joy inscrutable without a name,
Wakes in his heart thoughts bedded there, impearled,
Before the birth and making of the world.
Curatorial by Sherry Chanin
Art Submission
Your submission MUST contain: A Maximum four (4) good images of the proposed work (all images must be labeled), list of works, artist statement, biography and artist CV. The artist statement is essential in the jurying of the work for this exhibition, as it will be referred to by the jurors as they review your submission. The artist statement should relate your work to the theme.
IMPORTANT: Please review general GUIDELINES FOR SUBMISSIONS BELOW.
Submission deadline is May 16. Late entries will not be accepted.
Work must be current in any medium, never shown in this gallery. Original artworks only – no reproductions of original art such as giclee prints or press-prints. Artists to be included in this exhibition will be notified by May 31.
Exhibition runs July 14 to August 26, 2018 with the opening reception scheduled for Saturday, July 14th, 1-3pm in the Crowsnest Pass Public Art Gallery. Questions may be directed to Krisztina 403-562-2218 or cnpaaa@shaw.ca
GENERAL GUIDELINES FOR SUBMITTING ARTWORKS
1. Four pieces of work per artist maximum can be submitted. (All mediums accepted for exhibition.) At time of submission, please submit photographs, or digital images only. Make sure images are labeled. Do not submit actual works.
2. Submissions must be accompanied by an inventory list that includes titles, medium, size, and retail price (value of the work if not for sale).
3. Please provide an artist’s statement for each work (relating your work to the theme).
4. Artist Submissions must be accompanied by current bio and/or CV.
5. You must include ALL of the above with your images. All written work must be submitted as white 8 1/2” x 11” sheets of paper. Each topic on a separate sheet of paper ie: list of works, artist’s statement, biography and CV.
6. Please ensure that your name and contact information is on each page of your submission application.
7. If you submit actual photographs of the works, please include a stamped self-addressed envelope if you wish your images returned.
8. Your submission can be hand delivered to the Gallery, mailed to Box 1469, Blairmore, T0K 0E0 or emailed to cnpaaa@shaw.ca.
8. Submissions are juried and artists will be notified of the results, and will be advised of work delivery as soon as possible.
Questions can be directed to 403-562-2218 or email: cnpaaa@shaw.ca
